- The male character loses his strength and power as he becomes more obsessed with the female.
This happens in vertigo when Scottie sees Judy ,who looks identical to Madeleine although she is dead, he falls in love with Judy but manipulates her appearance to look like Madeleine and becomes obsessed with changing her which strips his strength away from him as he has no control or power.
- The representations of gender reflect the pre-feminist gender politics of the late 1950s.
This is shown in vertigo by the way Scottie treats Judy when he manipulates her become Madeleine he says " I'll look after you " which suggests that women are incapable of looking after themselves and men are more dominant. Also in the film the occupation roles show the inequality between the genders as women are seen to be working in flower shops and clothing shops. Whereas the men in Vertigo are police officers, detectives or company owners.
- The audience's point of view switches to the female character after they (the audience)are made aware of her deeds through her confession. This strengthens the female character.
In vertigo, the female character is strengthened by when she reveals she is Madeleine and Judy which shows how she manipulated Scottie although she is seen to be more inferior because of her gender. By doing this is shows that she is intelligent and has more power over men and opposes to what men though of women in the 50's.
One Flew Over The Cuckoo's Nest
- the male characters are "metaphorically castrated " by sexless and loveless females who lack femininity.
- In comparison to the submissive representation of females in the other films , females are worthy of admiration through their strength and resilience.
- Masculinity is represented as passive in contrast to stereotypical cinema representations.